from: SuperSpatial, Adventures in contemporary urbanism (via kottke.org)
The danger for a city as a theatre or theme-park is that it becomes a stage set, a backdrop. This inevitably treats citizens as actors, there for others amusement. This leads to a simulated city as Baudrillard would have it, a city of the hyperreal as Umberto Eco might tell us. What happens when the audience is not there? Visit Venice on a windswept January and you’d probably find a virtual ghost-town – in fact many people have commented that Venice at night is eerily quiet, as almost no-one lives there, and relatively few tourists stay on the main island.
Venice demonstrated a robust ability in declining and transforming. It’s about 600 years Venice is doing it pretty well.
