Tagged with Venice Biennale 2009

Venice is a Collision Zone

Ho camminato molto per Venezia questa estate, fatto foto, visto molte cose interessanti. Ho visitato molti degli eventi collaterali della Biennale di Arte. Ho scoperto molti angoli di questa città che non conoscevo, e in cui si poteva entrare solo durante la Biennale di Arte.
Di questa Biennale (di questa Venezia) rimane un senso di confine, di limite, di incertezza. E di vuoto. Confini chiusi, confini che si aprono, confini che si richiudono. Limiti da passare, o già passati. Limiti da rivedere. Crisi o nuove prospettive? Venezia rimane zona di collisione.

I walked a lot in Venice this summer: lot of photos, many interesting things. I visited many of the collateral events of the Biennale of Art. I discovered corners of this town I didn’t know, and where you could enter only during the Biennale of Art.
This Biennale (this Venice) leaves a sense of boundary, of limit, of uncertainty. And of emptiness. Closed borders, borders to be open, re-closing borders. Limits to pass, or already passed. Limits to be reviewed. Crisis or new opportunities? Venice remains a collision zone.

txt: Gast Bouschet and Nadine Hilbert – Collision Zone – Louxembourg Pavilion

Europe’s fear of massive infiltration from without lies at the heart of Gast Bouschet & Nadine Hilbert’s Collision Zone, a haunted staging of image and sound recordings collected by the artists in the border regions of the Mediterranean.
[...]
Collision Zone fundamentally questions the notion of borders, following the observation that continents in general, and Africa in specific, are actually moving and constantly changing their respective positions. Overpowering natural and geological forces slowly but surely extend or shift the world’s physical and geographical boundaries. Gast Bouschet & Nadine Hilbert’s work thus draws its inspiration from a series of phenomena on the brink of the visible which appear to be regulating our world. By merging biological time and deep time, their installation creates a lapse of meditative time – a purposeful introspective slowdown interrupted by sporadic violent eruptions.

img: Luxembourg – Collision Zone – oddtag on flickr.com

collision zone

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What is left of Venetian art glamour?

txt:: 53rd Venice Biennale – www.shift.jp.org

Shame on me: after skipping the opening of one of the greatest art events this planet has to offer, I had still not been to Venice for for the breathtakingly important 53rd edition of the Biennale d’Arte in early September. Since I skipped the fashion obligations that would have called me to New York and London, I mused that I could at least busy myself with some belated commitment to art. And off I went to la bella Venezia: one of the world’s most beautiful cities and one where you run a 100 % chance of getting lost in some unpenetrable Calle, Sottoportego or Ramo when looking for forlorn art pavilion outside the Giardini. Months after the opening, I found myself rummaging through the remains of the Biennale, trotting lightyears behind the glamorously jet-setting international art élite

img: Punta della Dogana

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Arsenale Novissimo, past and future of Venice

Got a little time to see Venice? Go to the Arsenale Novissimo. You’ll find four very interesting collateral events (Unconditional Love, The Fear Society – Pabellón de la Urgencia, Rietveld Arsenale, ADACH Platform for Venice, Jan Fabre – From the Feet to the Brain), and a unique view of one of the most important shipyard in the world for centuries. What was the main industry of the past is becoming one of the most interesting places of the future of this town.

img: ADACH pavillion in Venice Arsenale

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